How bizarre to be faced with such striking similarities from breakaway (ie.not fashion) collections from two of our most famous high street brands? When French Connection recently launched their debut home collection I was pleasantly surprised and as it seems to have a very masculine and industrial concept (a favourable look in my book) immediately enamoured. Upon further scrutiny I was surprised by a striking familiarity between the lamp above left from the French Connection collection and the lamp above right from the Diesel & Foscarini collection. I am not for any moment suggesting that the French Connection lamp is a copy/homage to the Foscarini lamp, I am more pointing out the fact that both companies/brands/labels reached similar conclusions in their design of a floor lamp. It makes me wonder if we pitched a whole host of fashion labels against each other to design something for the home how similar the resulting designs would be. What do you think?
Category Archives: Designers
Quentin Blake: A Practical Lick
Its not often you get to lick a piece of design or artwork that you love!
If you are of a similar age to me (26) I presume you will have been brought up on the great Roald Dahl books with their Quentin Blake illustrations, with my snotty nose and dungarees I would rifle through the pages soaking up the story and admiring the doodle styled imagery that accompanied the stories. Well now there is a collection of postage stamps from Royal Mail dedicated to the work of Quentin Blake. You could cheer up a loved one with an old fashioned love letter and a Fantastic Mr Fox stamp on the envelope. the only question that remains is who are you writing to?
Dan Mackey: Time for Tea?
My wonderful world of twitter often lands interesting people in front of me and its extra exciting when those people are artists, crafters, designers or anyone really with shared interests. Dan Mackey appeared on my radar simply through idle chat and seeming like a nice guy (I have no time for horrid people) then I discovered his passion.
When someone develops a passion or a sustained interest they really shine and excel in that area, the feeling of satisfaction is a driving force unsurpassed in the human emotions.
Dan Mackey is a graphic designer at the start of his career but judging by the steps he has taken so far he is on an incredible journey!! Pouncing on current affairs and turning them on their head Dan has created some simple, refreshing designs. In a world of “plastics” (in terms of people personalities and materials) Dan champions the power of paper and cardboard. Its amazing what you can do with print and a bit of hand action! The real standout pieces of Dan’s work for me are the Royal Wedding teapot and cup that can be downloaded, printed and constructed (free design for the masses!) and also the collection of Olympic themed papercrafts that he, Dan is currently working on!
I spoke with Dan about his work:
- What inspires you?
I enjoy creating colourful, feel good design that appeals to a wide audience. I look out for good uses of typography and graphic design in most situations, from food packaging to shopfronts.I find paper craft inspiring and how you can create something really unique and inexpensive reasonably simply. The whole concept of putting a template online for anyone to have a go at I think is great and you don’t need to have any sort of design skills to print, cut out and glue together something cool!- Where do you produce your work? ie home, studio, office
Out of office is when I do all sorts of personal projects in my spare time such as poster, t-shirts and papercraft pieces.- How is your work produced? ie the process, traditional or modern construction techniques?
- What are you working on at the moment?
Lenneke Wispelwey: hard pastel divinity
Glassware is a bit like art, a bit like wallpaper or the difference between a silk shirt and well any old shirt. We don’t neeeeed glass for our beverages but it sure makes for a more luxurious way of doing things and if you don’t agree then I imagine you drink your wine out of a mug!
Lenneke Wispelwey produces ceramics which err on the side of glass, the gloss and the pattern have the feeling of cut glass. We normally think of glass as being clear but the pretty opaque pastel ceramics produced by Lenneke Wispelwey throw us back to the ‘milk glass’ that reached its height of popularity in the 50s, ask your mum or your grandma if you don’t believe me.
There is a majesty and a real glamour in the designs of the vessels but in a way which is graphic, the emphasised facets in the glass give the various vessels a contemporary feel. Put the pink vases against a concrete clad wall surrounded by glass and steel and it won’t fade away or look anything other than fantastic but put it on your scrubbed top pine table surrounded by chintz and it blends as though it was born in the era of its inspiration. It is a rarity to find something so adaptable and ready for the challenge but when you find it, its very special. So if you’re a secret wino who drinks from a mug at least pretend to be cool and drink your wine out of a super cool Lenneke Wispelwey ceramic cup.
Thomas Eyck: possibly worth it
Sometimes just sometimes that horrific price tag that looks like a nigerian bank note (imagine the 0000000′s) may reflect something entirely worth the price it demands. Take the basket above, I ADORE it, it sums up my love of design, it is forward thinking, modern yet traditional, plastic but natural but €980? REALLY?
The work of Thomas Eyck is certainly 1 case in hand, working with the best designers and utilising the best possible materials and processes Thomas Eyck takes the time to hone the products and the collections. This commitment to high quality design and manufacture surely justifies the price tag, ok its still eye-wateringly expensive to the majority of us but I absolutely admire Thomas Eyck‘s vision. Splashes of colour reminiscent of Missoni homewares but with rustic charm and hints of Moooi and Marcel Wanders association make for a collection of entirely palatable products.
Kelly Swallow: a wing and a chair
The classic wing back chair is all but forgotten in many homes up and down the land in favour of the ubiquitous “L-shaped sofa” of which I am personally not a fan. The wing back chair is a British icon and possibly all too often associated with an older and more traditional interior. Huge thanks then go to Kelly Swallow; with attention to detail, patchwork skill and upholstery oozing from her pores she breathes life into old pieces of furniture and yes you guessed it the wing back is a staple.
Utilising a multitude of vintage fabrics and old clothes, the rugby shirts are a triumph! Kelly works with her material, this is not make-do-and-mend this is make-it-special-until-the-end! The dyspraxic appearance of the more colourful pieces certainly belie their intricate and painstaking planning, patchwork is not easy! There is something of the modern Mrs Haversham and yet something of the toy shop, the look is contemporary yet the design and technique traditional. Kelly Swallow patchwork chairs are impressive and characterful and with one of these you can be sure to avoid your house looking like a photo-fit from the Next catalogue. Hooray for the unique!
I spoke with Kelly about her work:
- mangle cloth
- sofas too!
Guest Post: Judith Harrop on Interior Design
Last November I showcased my business at the Harrogate International Centre. The Homebuilding and Renovating Show is directed at those involved in building, extending and redeveloping their homes. Products and services exhibited there are to do with all aspects of the building process. Architects, surveyors, timber frame specialists, heating, ventilating, roofing, and a whole host of building materials, cladding, insulation, render. It’s not particularly pretty. Why then, when immersed in plans, footings and construction techniques, would you want to be distracted by an interior designer – all curtains and cushions – amidst the rugged face of house building? And there-in lies the problem… Interior Design is a misunderstood discipline.
Stateside, the specialist involved in your décor is known as an interior decorator, in the UK the latter is widely interpreted as someone with a paint brush and colourful overalls. Google it. You’ll get a confusion of sponsored ads for interior design, some dot coms for interior decorators (American) and some links to decorating contractors.
OK so why make the distinction?
Well many UK ‘interior designers’ are, in essence, interior ‘decorators’, which in itself isn’t a problem. They are an imaginative and creative bunch who deal with the furniture, furnishings and decoration of a room or rooms and have hod loads of beautiful fabrics, wallcoverings, floorings and other delightful interior product samples within their showpiece showrooms. They help you do the “colouring in”, dressing the space, making it beautiful. I do that too and I’m very good at it. But it’s not all I do.
A good interior designer should be able to offer expert advice based on experience, education and creativity. In addition, managing an interior project from the design concept through to implementation requires organisation and responsibility, knowledge of the construction industry, its procedures and working stages, and an understanding of the legal consequences of getting things wrong.
The key is for us to be involved at an early stage, work with your builder and architect and bring our own skills to your project before expensive mistakes are made.
Much of what we design and suggest have implications on the early stages of the build or “first fix”. It might be little things such as which way your windows open, or where you are going to put your lamps, but all these little things add up. Once your “first fix” is finished and your walls are plastered ready for painting, it’s too late to look for inspired advice for your home’s new look. Either there will be work to undo or lots of ‘could have beens’
I recently met a potential new client. The first meeting is always free of charge as a bit of a getting to know you session. She showed me plans for a vertical extension to her bungalow. I explained to her that she would have a third less usable floor space in each of her bedrooms than she thought. This was due to the style of the roof. She hadn’t understood this since she wasn’t experienced at reading plans. She saved the cost of submission to the planning department and had the architect redesign based on her new understanding of what was achievable.
So this is what we were doing at Harrogate, explaining the benefits of a link between the architect and builder and the client. We look at the interior space in a different way from you and your architect and then we consult with the rest of the team to get the best results the first time. This way we really do save people money.
Spread the word, “Interior Design: there’s much more to it than cushions!”
Judith Harrop is an Interior Designer based in West Yorkshire
Follow her on twitter: @judithharrop
It felt so good
I feel a bit awkward, I mean I was introduced to the Mistress when I was researching the work of Jon Burgerman, yes it all sounds a bit seedy and sinister but hold your horses, she’s the FELT MISTRESS!! Yes the lady is a mistress of that adorably soft and fun fabric felt. For many people, boys and girls, felt is experienced during craft in schools because of its comparative versatility. To become a master of any technique or material you must practice, practice & practice and it is completely evident from the quality of craftsmanship that Louise Evans aka the Felt Mistress knows her stuff(ing)
The character development is obviously crucial to the building of the quirky creatures and the inspiration for that comes in droves from collaborative projects with artists like Jon Burgerman, Jon Knox (Hello, Brute fame) and Pete Fowler and mostly from her partner Jonathan Edwards. I often wonder if living with someone in the same field of work (ie. creativity) is a help or hindrance, imagine the inspiration posed directly against the interference!!
I’m not gonna pretend that I’m not put in mind of the muppets when I see the Felt Mistress’ work but its completely different because of its context, its crazy characters and also the art content. The line is crossed from mere design for fun squishy creature type characters to a much stronger art content, there is a delicacy and consideration above practicality.
I personally find the Beetle collection the most attractive but I am a taxidermy fan and I can also see the beetles sliding seamlessly into being a home accessory.
Where do you produce your work? ie home, studio, office
I worked as a couture dressmaker for 18 years and I still make dresses but just not as many as the character work keeps me busy. I loved the challenge of pattern cutting for lots of different shapes and sizes, learning about how balance, carefully placed seams and corsetry can make a big difference to how a dress looks and feels on an individual. These skills have also proved useful when making the characters.
I am working on pieces for a solo show coming up next year, and more collaborations with both Jon Burgerman (for a gallery show) and Pete Fowler (more work for The Stuffs puppet show)
Matt Antrobus: A Suitable Surface
Sometimes in life things can become so over complicated that when something glaringly simple comes along we over look it and take it for granted. The work of modernist designer Matt Antrobus is a refreshing change in the world of vintage and baroque domination that we see currently.
Whilst fancy patterns and sensual textures become fad, the quality of finish and clean design of Matt Antrobus’ tables will last a lifetime.
A formica surface may bring back memories of the 80s but it is a wonderfully practical surface for kitchens and dining rooms but if you’re looking for a strong and clean finish in your living room then it works equally as well.
The layers of the wood finish composition that are visible on the edges of the tables make for a warmth and character that could so easily be lost in the design. The varying applications of these surfaces utilising pedestals, legs and other furniture structures make for a completely accessible product. Whether your need is small or large, domestic or contract, Matt Antrobus can help as everything is bespoke and made to your exacting specification. As if all that wasn’t good enough, everything is designed and manufactured here in the UK, a great British designer producing great British furniture. I just hope that a whole load of colours appear in the collection too!! (they do)
I•ME•US
I have few regrets in life but 1 of my biggest is that as yet I haven’t pursued any kind of graphic design training, the main reason is that I get so envious of people like illustrator Anthony Peters. Imeus design and illustration is the professional face of Anthony Peters, an illustrator in demand and its not hard to see why. Imeus produce printed media that is candy cute, sugary sweet, vintage fairground and childhood bound, type faces reminiscent of years gone by with colours and themes that liven the heart.
The illustrations are produced for posters and art prints, for commercial purposes such as leaflets and advertising and also for greetings cards, I can not imagine receiving a cuter card than than those from Imeus.
The fun Imeus T-shirts run that fine line between geek in a graphic tee and hipster in a cool art T but they definitely come out on top, its the bright colours that avoid any mis-interpretation.
I’m not a sportsman, I don’t really get it but if having an event like the olympics prompts design like the olympic prints then, I say bring it on! Wow the retro charm is here in hoards, it takes me back to old school books and 70s style posters, I’m not old enough to remember the 70s but I do appreciate SOME of the design that came from that decade!
1. What inspires you?
I am very much inspired by nature and the small, insignificancies that people ignore every day. I love the little details and the ghosts of people in objects, like when you have an old vinyl record sleeve with a shopping list embossed into it from when the previous owner used it as something to lean on. I am also heavily influenced by old 2-3 colour packaging from the Twenties to the Fifties. Limitations in the printing process back then meant labelling had to be bold and direct, no gradients or fake bevels, just beautiful block colour. The recent ‘Own Label’ book by Jonny Trunk has some great examples of classic packaging.
2. Where do you produce your work?
I work from a home office in my little seaside town of Newhaven in East Sussex, During the day it is just myself, two cats, two hamsters and some stick insects for company, then I pick up my children from school and the real fun starts. The downside to working from home is that I am a really sociable person and I ramble on a lot… I may have to get a studio space soon before I get cabin fever!
3. How is your work produced? ie the process, traditional or modern print techinques?
My work is produced over a variety of mediums, some traditional and some modern, though even my screen print work begins life on the computer! I have also done quite a lot of 3D work with cardboard and mixed media.
4. What are you working on at the moment?
I am working on an amazing ipad app for kids. BUT that is all I can say about it at present as it is top secret! I am also working on a kids story for Okido Magazine.
- card design

















































