Attention to detail at Delamere Gardens

Some of you may know I work with and for a few different people, one of them is A White Room; a contemporary furniture supplier where I am in charge of media, marketing, styling and much more. There are some great perks to being involved with lots of different employers because you hear about things you may have otherwise missed! One Thursday evening I was invited along to see the launch of a brand new show house on an exclusive development in the Fixby area of Huddersfield, Delamere Gardens.

I see A LOT of houses and whilst I respect and admire all kinds of personality in interiors I do love it when you see something special. The attention to detail in this property is second to none, there is no patching up, no after thought just pure, well planned perfection. Mark Lee and Emma Cockroft of ONE 17 Design have made pure brilliance in living, a house that responds to the demands of modern living whilst dictating vision and futurism for a happy lifestyle.

The house is not flexible, its not meant to be, it has areas dedicated to formality and leisure as well as the comfort, practicality and casual nature we desire for the weekdays. Number 8 is on a sizeable corner plot, ok the garden was mounds of earth but if its planned to 10% of the point of the interior it will be an orchestrated example of modern British garden space. Coming from Pendle where we have a lot more green space than is common I would have liked to have seen more views from the house for the (considerable) price tag.

With vistas from room to room which bring the space together whilst decorating those views with built in furnishing the house is beautiful and practical, Delamere Gardens is proof that when Architects with vision rather than developers with greed design buildings you get homes not houses. I have seen other builds by One 17 Design and if I had the money I would bite their hands off for one of their properties, just see for yourself!

Guest Post: Judith Harrop on Interior Design

Last November I showcased my business at the Harrogate International Centre. The Homebuilding and Renovating Show is directed at those involved in building, extending and redeveloping their homes. Products and services exhibited there are to do with all aspects of the building process. Architects, surveyors, timber frame specialists, heating, ventilating, roofing, and a whole host of building materials, cladding, insulation, render. It’s not particularly pretty. Why then, when immersed in plans, footings and construction techniques, would you want to be distracted by an interior designer – all curtains and cushions – amidst the rugged face of house building? And there-in lies the problem… Interior Design is a misunderstood discipline.

Stateside, the specialist involved in your décor is known as an interior decorator, in the UK the latter is widely interpreted as someone with a paint brush and colourful overalls. Google it. You’ll get a confusion of sponsored ads for interior design, some dot coms for interior decorators (American) and some links to decorating contractors.

OK so why make the distinction?

Well many UK ‘interior designers’ are, in essence, interior ‘decorators’, which in itself isn’t a problem. They are an imaginative and creative bunch who deal with the furniture, furnishings and decoration of a room or rooms and have hod loads of beautiful fabrics, wallcoverings, floorings and other delightful interior product samples within their showpiece showrooms. They help you do the “colouring in”, dressing the space, making it beautiful. I do that too and I’m very good at it. But it’s not all I do.

A good interior designer should be able to offer expert advice based on experience, education and creativity. In addition, managing an interior project from the design concept through to implementation requires organisation and responsibility, knowledge of the construction industry, its procedures and working stages, and an understanding of the legal consequences of getting things wrong.

The key is for us to be involved at an early stage, work with your builder and architect and bring our own skills to your project before expensive mistakes are made.

Much of what we design and suggest have implications on the early stages of the build or “first fix”. It might be little things such as which way your windows open, or where you are going to put your lamps, but all these little things add up. Once your “first fix” is finished and your walls are plastered ready for painting, it’s too late to look for inspired advice for your home’s new look. Either there will be work to undo or lots of ‘could have beens’

I recently met a potential new client. The first meeting is always free of charge as a bit of a getting to know you session. She showed me plans for a vertical extension to her bungalow. I explained to her that she would have a third less usable floor space in each of her bedrooms than she thought. This was due to the style of the roof. She hadn’t understood this since she wasn’t experienced at reading plans. She saved the cost of submission to the planning department and had the architect redesign based on her new understanding of what was achievable.

So this is what we were doing at Harrogate, explaining the benefits of a link between the architect and builder and the client. We look at the interior space in a different way from you and your architect and then we consult with the rest of the team to get the best results the first time. This way we really do save people money.

Spread the word, “Interior Design: there’s much more to it than cushions!”

Judith Harrop is an Interior Designer based in West Yorkshire

Follow her on twitter: @judithharrop

Stirling Prize

Just stumbled across the Sterling Prize for Architecture nominations gallery over on the gaurdian website. I never cease to find architecture inspiring, even bad architecture spurs me on to design and create better things.
so You can click HEREto see the nominations. The Bodegas in Spain is one of the triumph’s in my opinion.

coffee and cake, dereliction and pods, shopping and the future, oh and lastly unfoldad and tangability

What an amazing day!! its crazy just how much we managed to discuss and experience in todays session, I will work it out though. So Wednesday was the day for the presentation of Our group module Applied Research and Enquiry so below are the re-counts of the group efforts. Then at the bottom a little bit about Jo Harris and her lecture from Wednesday afternoon.

Group1- Unfoldad- this was our group, Five people from various disciplines working together on advertising campaigns to promote 1) Ourselves as Unfoldad 2) BHS Huddersfield’s 20% off event day 3) The Factory LIghting Shop. The presentation went well and as with our campaigns we gave out lots of tokens and props to keep people attentive and engaged. I will wait with baited breath for the results.

Group2- Pink- A Visual response to the Problems associated with Domestic Violence. The idea was to create a book which provided royalty free photographs that could be used for any purpose but which gave publicity and awareness to domestic violence. The images in the book were all centred around the colour pink- obviously a colour more normally associated with pretty girly things and at stark contrast to the hard-hitting facts which the book presented alongside the imagery. I thought the book was beautiful and engaging but I had a fundamental problem with the book appearing to be biased and substantially feminist, a point which the group admitted- it was written from a strongly feminist viewpoint. maybe the book wouldn’t have had the same impact but as a man it seemed fairly derogatory. The title of the book was one in four a statistic from the book. You can see and buy the book HERE, all profits form the sale of the book go to the charity Refuge who have supported the book.

Group3 -Green Designers- I thought the concept of this project had alot to offer, I was intrigued by the idea of a new shopping trolley design with green credentials and the possibility of spin- off products that would make life easier for shopping and also to help protect the environment. I know that this was only a concept but I could see some negatives in the product, one of them being that the trolley wouldn’t stack as they normally do. You can see the groups website HERE.

Group4- Tryst- well well what an experience Tryst had for us, with a focus on arts in the community and the myths and legends of the local area, the group came up with designs for ‘pods’ that could be sited in the locality of the myths of huddersfield. To show us how the pods would work, the group gave us a tour of one of the potential ‘pod’ sites which just happened to be a derelict asylum -Storthes hall. Whilst marvelling at what was once a beautiful building and what actually is now still- even in its crumbling state- an eerily attractive and aesthetically pleasing structure. I have to admit to being slightly un-nerved by the place, not because of its current state or any supernatural experience but simply the thought of the people that were held there and some of the torturous treatments that asylums are famed for. I was intrigued enough to try and find out more about the place any way and I will post an update with anything I find.

Afternoon lecture- Jo Harris on Indigo, Shibori and working in Japan.
Whilst being aware that Jo had worked in Japan (and admittedly being jealous of anyone who has had the pleasure of that country!) I was amazed at the work and experiences whilst she had been there. stories of strict apprenticeships and a passion for Indigo and the ancient process which creates it made for an interesting afternoon. I was pleased that I managed to take away one fairly significant point of research from the talk and that was the NOREN. I have been exploring the idea of entranceways and corridors and how they are significant in the transitional phase of interior and exterior, but also the way that a softened textile entrance could make for a more amiable and comfortable experience in the entirety of the interior. I must research this Noren idea further but this ties in nicely with the work of Rosemarie Trockel in my earlier Kvadrat post.

My inspiration knows no bounds

I am one of those poeple you ask me what my inspiration is and I tell you everything and I mean it genuinely, theres no pretention in that I can just find something beautiful; an element perhaps in the most mundane of situations. However somethings are just inspirational because they have a style and substance of their very own which inspires and also at times threatens the work of onlookers who may be aghast (yes thats me aghast!) So HERE is a video of the work of Justin Smith a miliner who has koined the ranks of Philip Treacy and Stephen Jones to be admired, and wanted and visually devoured. I have always been interested in hats but the thoughtof making them is fairly scary, perhaps I will give it a go though.

Just one last thing a quick link to a wonderful website that has materials that may be useful for the construction of my pavilion. HERE.

In a space in manchester

At Manchester City Gallery there is an installation by architect Zaha Hadid, I visited it today and was seriously impressed. The installation was a pavilion designed to host musical performances, an idea originating from the salons created in the 17th century. The pavilion was a ribbon like structure that wound its way around the room, growing from the floor up to the ceiling almost like a continuously peeled orange skin. Constructed on a lightweight frame, covered with a stretchy lycra style fabric in stark white, the pavilion cut through the space creating curves and lines across the blackened walls of the space. Viewers were asked not to touch the piece to maintain its clean white effect but you could see people restraining themselves as they wanted to touch the textile of the piece. The pavilion is offering an altered space and new atmosphere to experience musical performances whilst being decorative in its own right, the pavilion is not about human engagement but about a different presentation of a space to alter visions, and provide an all-encompassing experience to take a musical performance to the next level. I hope that I can capture the slightest element of this piece and present people with an altered vision of a given space.
If you want to see a video of the Pavilion then please go to the Guardian website HERE

Daniel Liebeskind on Architecture

This post is a bit messy I was just writing things as I watched the video of Daniel Libeskind talking. Wow engaged from the first word, Liebeskind speaks enigmatically about the creation of space. Liebeskind explains his fascination for creating a space which never existed before, that nobody has experienced before, except for in our minds. Architecture is about wonder and is a story about the efforts against impossibility told through materials. Expressive Vs Neutral architecture, the expression may disturb us but is a reflection of real life. The rawness of an undecorated space which moves ahead and becomes part of the vocabulary of our lives and architectural experience. Go HERE to see the video.

Olafur Eliasson- playing with light and space

See Eliasson’s video HERE. During my research I have constantly questioned the ability of a space to have an effect on us, Olafur Eliasson asks similar questions and as he puts it “life in space is not necessarily about how we do things but why we do things” Eliasson was responsible for installing a ‘sun’ in the turbine hall of the Tate modern and he explains about the way people interact with it and enjoy the tangibility of its presence. The ‘sun’ is actually out of reach of the viewer but one can interact with it, this indirect tangibility is unusual in the respect that it gives the viewer tangibility through reaction, that is to say that when the viewer experiences the piece it is responding to their presence as much as the viewer can respond to the piece. The viewer can then see themselves in the space, becoming part of the space through their presence. A space has time and dimension, movement can be the only way to see some parts of a thing as with the serpentine gallery pavilion of 2008. The waterfall is a way of measuring space as it is a constant with which we can all identify. Eliasson ends with the phrase “between thinking and doing is experience and with experience comes responsibility” I believe that many spaces that we encounter fail to provide us with any experience at all and therefore are completely abstracted from our thought. We have no care for the space. If we can make people experience a space more fully then they may feel more attached to it and have greater respect and responsibility over its stewardship, particularly with public space.

Thomas Demand

I was trying to find more information about this artist but I had struggled to find anything which captured my interest in any particular form but never dismiss an article!! I was amazed by the construction method of the curtains in the white house mock-up installation that he had created, the technique is apparently centuries old and was actually used to create mock carved marble drapery-the mind boggles. Anyway the formula is HERE, the article is current and interesting.

thank goodness for Kvadrat

It’s companies that show the real value of textiles in our lives that shine and make us feel warm and welcome. It is also rare to see anything that gives as much thought to its aesthetics as to their humanistic interaction. THIS piece demonstrates the point perfectly, imagine the tactility of that space, just to walk through it and experience the textiles surrounding and almost enveloping you and your senses, the wool, I imagine would have the most beautiful ‘sheepy’ aroma that along with the passionate and uncompromising blood-red colour would have the senses exploding with energy and excitement. I could also imagine that for others the piece may come across as being quite daunting and actually oppressive, the enforced act of its positioning in the entrance-way of a building is daring but bold enough to show the power of the textile relations of the human being.
I was initially drawn to Kvadrat because of their clouds but their other work is just as intriguing, HERE is the link.